dostoevsky fyodor winter notes on summer impressions
Dostoevsky Fyodor Winter Notes On Summer Impressions
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, "Winter Notes on Summer Impressions", were first published in the February 1863 issue of Vremya (Time), the periodical he edited.
849 Р.
Dostoevsky F. Winter Notes On Summer Impressions
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, "Winter Notes on Summer Impressions", were first published in the February 1863 issue of Vremya (Time), the periodical he edited.
398 Р.
Dostoevsky F. Winter Notes On Summer Impressions
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, "Winter Notes on Summer Impressions", were first published in the February 1863 issue of Vremya (Time), the periodical he edited.
398 Р.
Достоевский Федор Михайлович Winter Notes On Summer Impressions
In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. His impressions on what he saw, "Winter Notes on Summer Impressions", were first published in the February 1863 issue of Vremya (Time), the periodical he edited.
398 Р.
Dostoevsky Fyodor Notes from Underground
The unnamed narrator of the novel, a former government official, has decided to retire from the world and lead a life of inactivity and contemplation. His fiercely bitter, cynical and witty monologue ranges from general observations and philosophical musings to memorable scenes from his own life, including his obsessive plans to exact revenge on an officer who has shown him disrespect and a dramatic encounter with a prostitute. Seen by many as the first existentialist novel and showcasing the best of Dostoevsky's dry humour, Notes from Underground was a pivotal moment in the development of modern literature and has inspired countless novelists, thinkers and film-makers.
1191 Р.
Dostoevsky Fyodor Notes From Underground
Dostoevsky's most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man's essentially irrational nature. Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.
3148 Р.
Dostoevsky Fyodor Notes From Underground
'I am a sick person. I am a spiteful person. An unattractive person, too …' In the depths of a cellar in St. Petersburg, a retired civil servant spews forth a passionate and furious note on the ills of society. The underground man's manifesto reveals his erratic, self-contradictory and even sadistic nature. Yet Dostoyevsky's disturbing character causes an uncomfortable flicker of recognition, and we see in him our own human condition.
1692 Р.
Dostoevsky Fyodor Notes From Underground & Other Stories
Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky's short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife's suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal. With an Introduction and Notes by David Rampton, Department of English, University of Ottowa.
2084 Р.
Dostoevsky Fyodor Notes from a Dead House
In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. Notes from a Dead House (sometimes translated as The House of the Dead), the novel he wrote on his release, tells of shocking conditions, brutal punishments, and the psychological effects of the loss of freedom and hope; it describes the daily life of the prison community, the feuds and betrayals, the moments of comedy, the unexpected acts of kindness. To avoid censorship, Dostoevsky made his protagonist a common criminal, but the perspective is unmistakably his own. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife. Like his creator, Goryanchikov undergoes a transformation over the course of his ordeal, as he discovers 'deep, strong, beautiful natures' amongst even the roughest of the convicts. Notes from a Dead House shows the prison camp as a tragedy for the inmates and a tragedy for Russia. It endures today as a profound meditation on freedom.
3103 Р.
Dostoevsky Fyodor Notes from Underground and the Double
'The best thing is to do nothing! Better conscious inertia! So, long live the underground!' Alienated from society and paralysed by a sense of hose own insignificance, the anonymous narrator of Dostoyevsky's groundbreaking Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' of society and his gradual withdrawal to an existence 'underground'. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in the The Double when a government clerk encounters a man who looks exactly like him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly tragi-comic study of human consciousousness. Ronald Wilks's extraordinary new translation is accompanied here by an introduction by Robert Louis Jackson discussing these pivotal works in the context of Dostoyevsky's life and times. This edition also contains a chronology, bibliography, table of ranks and notes on each work. 'Notes from Underground, with its mood of intellectual irony and alienation, can be seen as the first modern novel… That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work.' Malcolm Bradbury
2298 Р.
Dostoevsky Fyodor Notes from Underground and The Double
This Arcturus Classics edition presents two of Dostoevsky's shorter novels in one volume, Notes from the Underground and The Double. Notes from the Underground is a dystopian tale of the Underground Man, a retired civil servant living in St Petersburg who retreats from society. This work is considered by many to be the first existentialist novel and influenced many classic works including Metamorphosis and Invisible Man. The Double tells the story of Golyadkin who, on a bitter snowy night, encounters a stranger who looks exactly like him. They become friends, but then Golyadkin realises that unlike himself, his double is socially successful - likeable and charming - and thus the relationship starts to deteriorate. Golyadkin is caught up in a psychological battle that can only end in tragedy. These two works draw on Dostoevsky's acute observation of Russian life; his thoughts on philosophy and social mores; and his reactions to the work of Nikolai Gogol. At the heart of both lies Dostoevsky's ruminations on the need to establish one's true identity and how society can distort the perception of who one truly is. This edition is presented with a striking contemporary cover-design, bringing this timeless classic to modern readers.
1931 Р.
Dostoevsky Fyodor, Dostoevsky Fyodor L'Idiot (на французском языке)
"Il y a lieu de croire que Rogojine eprouva cette brusque sensation d'epouvante ; venant s'ajouter a tant d'autres emotions, elle l'immobilisa sur place et sauva le prince du coup de couteau qui allait inevitablement s'abattre sur lui. Rogojine n'avait pas eu le temps de se rendre compte de l'attaque qui terrassait son adversaire. Mais, ayant vu celui-ci chanceler et tomber soudainement a la renverse dans l'escalier, la nuque portant contre une marche de pierre, il etait descendu quatre a quatre en evitant le corps etendu et s'etait enfui de l'hotel presque comme un fou."
3380 Р.
Dostoevsky Fyodor Crime and Punishment, The Gambler, Notes from Underground
"Dostoevsky, the only psychologist from whom I've anything to learn." - Friedrich Nietzsche Dostoevsky's exploration of human psychology through fiction has captivated readers for over a century. This handsome hardback collection brings together three of his most notable works: Crime and Punishment, The Gambler and Notes from Underground. Writing from the fraught political landscape of 19th-century Russia, Dostoevsky explores corruption, morality and visions of a utopian society. These novels are at once gripping and profound.
3080 Р.
Dostoevsky Fyodor Gambler
Inspired by Dostoevsky's own gambling addiction and written under pressure in order to pay off his creditors and retain his rights to his literary legacy, The Gambler is set in the casino of the fictional German spa town of Roulettenburg and follows the misfortunes of the young tutor Alexei Ivanovich. As he succumbs to the temptations of the roulette table, he finds himself engaged in a battle of wills with Polina, the woman he unrequitedly loves. With an unforgettable cast of fellow gamblers and figures from European high society, this darkly comic novel of greed and self-destruction reveals Dostoevsky at his satirical and psychological best.
1191 Р.
Dostoevsky Fyodor Devils
As ideological ferment grips Russia, a small group of revolutionaries, led by Pyotr Verkhovensky and inspired by Nikolai Stavrogin, plan to spread destruction and anarchy throughout the country. Morally bankrupt, they are prepared to use whatever means necessary to achieve their goal, including murder and incitement to suicide. But when they are forced to test the limits of their doctrine and kill one of their own to secure the secrecy of their mission, the ragtag group breaks up in mutual recrimination. Devils is at once a compelling political statement and a study of atheism and its calamitous effect on a country that is teetering on the edge of an abyss. Seen as Dostoevsky's most powerful indictment of man's propensity to violence, this darkly humorous work, shot through with grotesque comedy, is presented here in Roger Cockrell's masterful new translation.
2469 Р.
Dostoevsky Fyodor Devils
With an Introduction by A.D.P. Briggs, translation by Constance Garnett. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevskys masterpiece. Издание на английском языке.
629 Р.